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The Hollywoke Strain

There is endless proof that wokeness has devastated the screen trade. Mega-bomb exhibits A to Z: brown Snow White, Latino heavy West Side Story, girl power The Marvels, all-female Ghostbusters, gay Eternals, feminist Charlie’s Angels, gay-environmentalist Strange World, black The Little Mermaid, etcetera. Clearly, audiences have had enough of their traditional values getting displaced by delusion and degeneracy.

Hollywood Can Still Make Great Movies

The success of “Project Hail Mary” only goes to show that audiences will spend the money to go to theaters if they have the chance to watch films that are well made, imaginative, family-friendly and not vehicles for left-wing propaganda.

Studios Costly Woke Agendas Chase Elusive Prestige and Trophies

In the risky business that is Hollywood, where budgets frequently reach nine figures and a film’s fate is determined by the willingness of film-goers to part with their dollars, Warner Bros.’ “The Bride!” is serving as the perfect cautionary tale on how ill-advised it is to mix woke politics with general entertainment fare.

The Loneliness of the Conservative Screenwriter

By Lou Aguilar: My script is “Operation Cowboy: The Assassination of John Wayne,” based on the true story of a 1950 Soviet plot to murder Wayne because of his success flushing out Hollywood communists. And what depressed me is not that the producer disliked it, but rather that he loved it yet can’t move forward with it.

Trump’s the Hero Hollywood Needs

Will Hollywood ever make an honest movie about President Trump? Probably not, but then again, who thought that MAGA Americans would be winning the culture war in 2025? Like any good film, the bad guys have to look invincible before the good guys fight and win.